Silicon ChipCONCRETO Speaker System - June 2021 SILICON CHIP
  1. Outer Front Cover
  2. Contents
  3. Subscriptions: PE Subscription
  4. Subscriptions: PicoLog Cloud
  5. Back Issues: PICOLOG
  6. Publisher's Letter
  7. Feature: The Fox Report by Barry Fox
  8. Feature: Techno Talk by Mark Nelson
  9. Feature: Net Work by Alan Winstanley
  10. Project: Touchscreen Wide-range RCL Box by Tim Blythman
  11. Project: Roadies’ Test Signal Generator by John Clarke
  12. Project: CONCRETO Speaker System by Allan Linton-Smith
  13. Feature: KickStart by Mike Tooley
  14. Feature: IO Cricket by Khairul Alam
  15. Feature: AUDIO OUT by Jake Rothman
  16. Feature: Make it with Micromite by Phil Boyce
  17. Feature: Circuit Surgery by Ian Bell
  18. Feature: Max’s Cool Beans by Max the Magnificent
  19. Feature: Max’s Cool Beans cunning coding tips and tricks by Max the Magnificent
  20. PCB Order Form
  21. Advertising Index

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Articles in this series:
  • (November 2020)
  • Techno Talk (December 2020)
  • Techno Talk (January 2021)
  • Techno Talk (February 2021)
  • Techno Talk (March 2021)
  • Techno Talk (April 2021)
  • Techno Talk (May 2021)
  • Techno Talk (June 2021)
  • Techno Talk (July 2021)
  • Techno Talk (August 2021)
  • Techno Talk (September 2021)
  • Techno Talk (October 2021)
  • Techno Talk (November 2021)
  • Techno Talk (December 2021)
  • Communing with nature (January 2022)
  • Should we be worried? (February 2022)
  • How resilient is your lifeline? (March 2022)
  • Go eco, get ethical! (April 2022)
  • From nano to bio (May 2022)
  • Positivity follows the gloom (June 2022)
  • Mixed menu (July 2022)
  • Time for a total rethink? (August 2022)
  • What’s in a name? (September 2022)
  • Forget leaves on the line! (October 2022)
  • Giant Boost for Batteries (December 2022)
  • Raudive Voices Revisited (January 2023)
  • A thousand words (February 2023)
  • It’s handover time (March 2023)
  • AI, Robots, Horticulture and Agriculture (April 2023)
  • Prophecy can be perplexing (May 2023)
  • Technology comes in different shapes and sizes (June 2023)
  • AI and robots – what could possibly go wrong? (July 2023)
  • How long until we’re all out of work? (August 2023)
  • We both have truths, are mine the same as yours? (September 2023)
  • Holy Spheres, Batman! (October 2023)
  • Where’s my pneumatic car? (November 2023)
  • Good grief! (December 2023)
  • Cheeky chiplets (January 2024)
  • Cheeky chiplets (February 2024)
  • The Wibbly-Wobbly World of Quantum (March 2024)
  • Techno Talk - Wait! What? Really? (April 2024)
  • Techno Talk - One step closer to a dystopian abyss? (May 2024)
  • Techno Talk - Program that! (June 2024)
  • Techno Talk (July 2024)
  • Techno Talk - That makes so much sense! (August 2024)
  • Techno Talk - I don’t want to be a Norbert... (September 2024)
  • Techno Talk - Sticking the landing (October 2024)
  • Techno Talk (November 2024)
  • Techno Talk (December 2024)
  • Techno Talk (January 2025)
  • Techno Talk (February 2025)
  • Techno Talk (March 2025)
  • Techno Talk (April 2025)
  • Techno Talk (May 2025)
  • Techno Talk (June 2025)
Just attach the drivers to timber panels and glue them on to concrete blocks! C ON C R ET O Speaker System We were tempted – very tempted – to call these the greatest ‘ROCK’ speakers ever. But that pun would fall a bit flat because these speakers are not rock – they’re concrete! More specifically, their ‘enclosures’ are stock standard concrete building blocks – the type you'll find at very low cost in just about every hardware store. Intrigued? Read on... W ant to make a cool pair of sidered by many to be the ideal material from which to make speaker enclosures. speakers, but don’t have the by Allan Linton-Smith Concrete speakers have faded in skills, tools or time to build popularity since then, but are seeing a proper boxes for them? No worries. We have the solution for you! Just bung the drivers into some bit of a resurgence. Besides being practical, they also look timber panels and glue them onto concrete blocks. It might pretty interesting, especially with nicely-finished, routed sound like an odd thing to do, but you’d be surprised how timber front panels. The concrete also helps to improve overall efficiency, well it works. This bookshelf speaker system gives punchy and clean transmitting less than 25% the amount of sound energy that sound, and it’s a lot of fun to build, with excellent bass and a comparable wood or MDF enclosure would. Many people prefer to have smaller speakers, but they oftreble out of one tiny full-range driver, plus a subwoofer or two. For just a few dollars more, you can get a Class-D ampli- ten compromise on sound. These ones emit a solid bass and fier module to drive both, with line inputs and Bluetooth have clarity which you will fall in love with immediately. They also have a really smooth sound, partly because of the wireless audio support. Concrete is actually an excellent material to make loud- lack of resonance and partly because of our choice of drivers. In keeping with the idea of simplicity and cheapness, speaker enclosures from because it’s very stiff and it’s very ‘dead’ – you don’t have to worry about it resonating at all we’ve simply glued the front and rear panels onto the cheap and ‘colouring’ the sound. As a bonus, concrete blocks (also concrete blocks with silicone sealant, and we’ve used a known as concrete bricks, Besser blocks and breeze blocks) coaxial main driver so that no separate tweeter is required. are cheap, readily available and have four square sides That also eliminates the need for a crossover network. Another big advantage of using a single driver is its phase already pre-assembled. This is definitely not a new idea. Building speakers became coherence; that is, its ability to reproduce all frequencies a bit of a fad in the 1950s. At the time, concrete was con- with mostly the same phase. Features and specifications Frequency response: 90Hz-20kHz, ±6dB Distortion: <2%, 85Hz-2.7kHz (0.8% <at> 1kHz) Bookshelf efficiency: 91.5dB <at> 1W, 1m Subwoofer efficiency: 88dB <at> 1W, 1m The pair of Bookshelf speakers, housed in half-blocks. They’ll give a good account of themselves ‘as is’ but team them up with the full-block Subwoofers and you won’t believe how good they sound for such a tiny investment. Rock on! 30 Power handling: 2x15W (bookshelf) 2x50W (subwoofer) Impedance: 8Ω (bookshelf) 6Ω (subwoofer) Inexpensive From under £100 Practical Electronics | June | 2021 and only have slightly less bass, slightly higher distortion and slightly lower efficiency. In other words, they are almost as good for roughly a quarter the price. The Jaycar drivers are cheaper again, but are much less efficient, so given their relatively low 15W power handling, you’d struggle to get decent volume out of them. So that was why we didn’t end up using them, and didn’t bother measuring their actual frequency response or distortion level. However, we are using Jaycar 125mm drivers for the Subwoofers, cat no CW2192. They are also excellent value given their 50W power handling, decent efficiency of 88dB <at> 1W, 1m and low resonant frequency of 67.6Hz. In fact, in the enclosure we’ve designed, they give some output down to about 35Hz, which is impressive given their small size. Performance The frequency responses of the two speaker cabinets are shown in Fig.1. Here, Bookshelf (the blue curve) refers At 190 × 190 × 190mm, the half-block bookshelf speakers are exactly half the to the smaller cube-shaped enclosures size of the subwoofers because the latter are built in a standard 380 × 190 × which house the midrange drivers with 190mm concrete block. There are two huge advantages in using concrete blocks coaxial tweeters, while Subwoofer (the as enclosures: (a) they’re dirt cheap and (b) they cannot flex or move to colour the sound in any way. You might say they’re as solid as a (ahem!) rock... red curve) refers to the taller ported enclosures with the larger woofers. The Bookshelf speakers are pretty flat from 150Hz to This yields a very realistic reproduction of the original recording for voice, instruments or complex orchestration. 20kHz, with a moderate peak at 10kHz and a roll-off in It is essential for accurate ‘soundstaging’ (positioning of response below about 180Hz. You can see why we decided to build the subwoofers; they extend the bass response coneach instrument). The small cone is very accurate in the upper and mid- siderably, down to around 65Hz, with a bit of a shelf from range, but you will also get to hear pipe organ pedals and 40-65Hz. This means that really low bass won’t quite be bass drum kicks if you build the extra subwoofers. They are ‘full’, but you’ll at least hear something down to about 35Hz. Importantly, the system also provides low distortion so cheap to make, why not build two for better bass? sound, as shown in Fig.2. THD is well under 2% from 100Hz to 2.5kHz and less than 0.8% at 1kHz. It is reasonably efDriver choice We considered three different full-range drivers for the Book- ficient, delivering 91.5dB at 1W/1m/1kHz. You may think that it is only suitable for small rooms, shelf speakers (UK readers, see Parts List). Table 1 shows a comparison of these units. We chose the Altronics C0626 on but they produced a considerable amount of sound in our the basis that they are a lot cheaper than the Fostex drivers warehouse with only a few watts driving them. +50 Concreto Frequency Response Concreto THD vs Frequency, 1W <at> 1m 10/09/18 08:39:38 Total Harmonic Distortion (%) 5 +30 +20 +10 +0 -10 2 1 0.5 0.2 -20 -30 10 Subwoofer Bookshelf +40 Relative Amplitude (dBr) 10/09/18 08:34:12 20 50 100 200 500 1k 2k Frequency (Hz) 5k 10k 20k Fig.1: the Bookshelf speakers have a fairly flat response above 150Hz; the Subwoofers fill in below 200Hz where the bookshelf response drops off. Practical Electronics | June | 2021 0.1 20 50 100 200 500 1k 2k Frequency (Hz) 5k 10k 20k Fig.2: distortion is low in the critical 100Hz-2kHz range which contains a lot of human voice information as well as many musical instruments. 31 Price per pair (approximate) Impedance Rated efficiency (dB <at> 1W, 1m) Free-air resonance Vas (litres) Rated frequency response Measured response (±5dB) Measured THD+N (1kHz, 90dB) Measured SPL <at> 1W, 1m Fostex FE103En £110 8Ω 89 83Hz 6 83Hz-22kHz 60Hz-15kHz 0.45% 92.5dB Altronics C0626 £20 8Ω 95 120Hz ? 120Hz-20kHz 70Hz-15kHz 0.65% 90dB Table 1: full-range driver comparison. All three are rated at 15W, employ a ferrite magnet and suit a 93mm diameter hole cut-out. Jaycar CS2310 £15 4Ω 83 122Hz 3.3 90Hz-18kHz Fig.4 (below): dimensions of the front and rear baffles for both the midrange and subwoofers. We used 19mm DAR pine but many other timbers could be used. Regardless, if you want good quality sound at reasonable listening levels, these will not fail to impress. A nice little Class-D amplifier module is ideal for driving these speakers, for example, one of those I reviewed in the August 2020 issue of PE. They certainly could also be driven by one of our more powerful/higher fidelity audio amplifiers, such as the SC200 (January-March 2018). These Concreto speakers will provide many hours of wonderful listening at a tiny fraction of the cost of a fully built high-end hifi system. The sound is even more satisfying, knowing that you have built something a bit unusual! Listening tests We were amazed that these little speakers with 100mm (4inch) drivers could produce such a huge sound. Not only that, but the realism, separation and positioning of the instruments and singers are truly first class. When using a quality DAC and amplifier, the music was fabulously rich, and we were able to pick out each instrument as if they were there. But don’t believe us; you be the judge. Build it and enjoy the rewards of listening to a concerto... err... Concreto. It will be worth the effort! Construction Select your concrete bricks carefully. We selected the ones with the smoothest surfaces and minimal cracks and chips. You might want to spend a little extra and buy some spares, because they are heavy and are easily dropped or bumped. Fig.4 (guideline) dimensions of the front and rear baffles for both the midrange and subwoofers. We used 19mm DAR pine but many other timbers could be used. Your blocks may require slightly different dimensions. REAR 184 GRIND OR CHISEL 2 – 3 mm FROM THIS AREA TO ALLOW SOUND TO TRAVEL TO THE PORT 184 184 92 100 93mm DIAM. 115mm DIAM. 184 92 ALL DIMENSIONS IN MILLIMETRES REAR BAFFLE 92 SUBWOOFER REAR BAFFLE 92 MIDRANGE FRONT BAFFLE SUBWOOFER FRONT BAFFLE 78mm DIAM. HOLE IF JAYCAR PT3012 TERMINAL BLOCK USED, OR 76.5mm DIAM. HOLE IF ALTRONICS P2017 USED 78mm DIAM. HOLE IF JAYCAR PT3012 TERMINAL BLOCK USED, OR 76.5mm DIAM. HOLE IF ALTRONICS P2017 USED 390 92 92 184 92 54mm DIAM. HOLE IF BINDING POST PLATE IS USED 32 FRONT 90 54mm DIAM. 92 54mm DIAM. HOLE IF BINDING POST PLATE IS USED Practical Electronics | June | 2021 THESE HOLES 3.0mm DIAM. (for one pair each of Bookshelf speakers and Subwoofers) 35 20 20 30 10 Parts list 10 THESE HOLES 8.0mm IN DIAMETER (70 x 70mm SQUARE OF BLANK PC BOARD) 10 10 ALL DIMENSIONS IN MILLIMETRES Fig.5: here's the plate we made to house the speaker terminals on the back panels. We used scraps of blank PCB material; aluminium or other thin (rigid) plates would work. 2 full concrete blocks, 390 x 190 x 190mm 2 half concrete block, 190 x 190 x 190mm 2 DAR pine planks, 184mm x 1.8m x 19mm 2 100mm (4in) 15W 8Ω twin cone speakers [Altronics C0626] 2 5in (125mm) woofer/midrange speakers [Jaycar CW2192] 2 pairs of pre-mounted speaker terminals [Altronics P2017, Jaycar PT3012] OR 2 pairs of red/black binding posts AND 2 70 x 70mm squares of fibreglass laminate (blank PCB material) 16 20mm-long wood screws (eg, No.9/4.5mm thread) 1 3m length medium-duty speaker cable (figure-8) 1 pack of acrylic speaker damping material [eg Jaycar AX3694 or from Parts Express; see text] 4 squares protective felt (or similar), ~170mm x 170mm 1 tube of neutral-cure clear silicone sealant UK constructors Make sure they are completely dry (especially if you take them from your backyard); otherwise, the silicone sealant won’t adhere too well. For the subwoofer bricks, decide which side is to be the front and the back, mark them with a pencil and then grind or chisel 2-3mm from the back of the centre piece as shown in Fig.3. We used an angle grinder fitted with a diamond blade, but you can also use a masonry chisel. Check how much you’re taking off with a straightedge, and use a credit card as a feeler gauge. When finished, you should be able to hold the straightedge across the front surface of the brick and slide the credit card between it and the centre section, where you removed the material. Remember that this project is more a set of guidelines and suggestions rather than a specific recipe. Although the speakers were specified with Australian readers/parts in mind, the designs are easy to modify for UK-available parts. The key is to ensure your concrete blocks of choice can accommodate your drivers. For acoustic wadding, some good options are here: http://bit.ly/pe-jun21-damp The Fostex drivers are available in the UK, although the FE103En has been replaced by model FE103Env. For cheaper models, a search online for ‘4 Inch Coax 2 Way Car Speaker’ will give you lots of inexpensive options to experiment with. For the Subwoofer, look for a ‘Woofer/Midrange Speaker Driver, 5-Inch’, at around 50W; for example: http://bit.ly/pe-jun21-woof Timber panels We used premium pine planks, dressed/planed all-round, 184mm × 1.8m × 19mm thick. You can then easily cut these to 184mm and 390mm lengths to make the panels for the Bookshelf and Subwoofer speakers respectively. The hardware store may cut these pieces for you, and many will do it for free. If they won’t, and you don’t want to do it yourself, you could seek out a kitchen cabinet maker, who would surely take on the job for a modest fee. You can use any type of timber which is 19mm thick or more, such as MDF or plywood, but we think pine looks nice. Assembly is pretty easy, but do not rush it and allow plenty of time between steps so that you don’t make any mistakes. Once you’ve cut the panels to size, the next step is to cut the holes, as shown in Fig.4. Ideally, use a hole saw for the port holes in the Subwoofers, as they are fully exposed You could use a jigsaw to cut the other holes, as long as you don’t make them too rough, as the speaker surrounds will cover the cuts. Hint: if you are using a jigsaw, cut from the inside of the panels, so any ‘bruising’ is hidden. One important thing to note is that the size of the holes in the rear panels vary depending on which type of speaker FRONT BAFFLE MIDRANGE DRIVER SEALED MIDRANGE ENCLOSURE FRONT BAFFLE PORT SUBWOOFER ACOUSTIC WADDING REAR ACOUSTIC WADDING BAFFLE BINDING POSTS REFLEX SUBWOOFER ENCLOSURE ACOUSTIC WADDING REAR BAFFLE BINDING POSTS 2-3mm GAP FOR SOUND TO REACH PORT CHAMBER, ALSO WIRES TO REACH BINDING POSTS Fig.6 (left): the sealed midrange enclosure is made from a ‘half block’ and midrange driver, as this semi-section shows. Fig.7 (right): the ported subwoofer is made from a ‘full block’ and subwoofer driver with a tiny air gap between the halves. Practical Electronics | June | 2021 33 Fig.8 (left): front side view showing how the ‘baffle’ is secured to the concrete block. Make sure you use plenty of silicone so the join between the block and panel is airtight. PINE TOP/FRONT plane. This makes the speaker look much better, although it isn’t absolutely necessary. Next, if you didn’t splurge on the pre-built speaker terminals, make up the connector plates from blank PCB material, and standard binding posts mounted 30mm apart. Make sure you’ve sanded away any imperfections in the panels, then paint, stain or lacquer the panels. Allow them to dry completely, and you are ready to assemble everything. CONCRETE C ONCRETE BLOCK B LO CK SILICONE BEAD (NOT TOO CLOSE TO THE OUTER EDGE) terminals you’ll be fitting. If you’re building the home-made speaker terminal panels from a piece of blank PCB laminate and a pair of binding posts, cut 54mm holes. If you’re using the Jaycar PT3012 terminals instead, make the holes 78mm diameter, or for Altronics P2017, 76.5mm diameter. Once you’ve made all the cut-outs, sand the port holes nice and smooth, and clean off any burrs from the other holes. You might like to dress the edges with a router or Fig.9 (below): here’s how the rear panel is attached to the block. Make sure air can flow between the two block halves, as explained in the text . Assembly This is pretty straightforward; you just need to proceed carefully, so you don’t damage anything; especially the delicate speaker cones and surrounds. Start with the backs of the enclosures. Dust off the concrete blocks, make sure they are clean and dry then apply a 3-5mm bead of silicone sealant (adhesive type) as shown in Fig.9. Keep the bead close to the inside edge. This prevents it from appearing on the exterior when you press the panel into place. Do not put any silicone on the centre piece at the back of the Subwoofer bricks; otherwise, sound cannot travel from the driver to the port! However, you do need to seal the centre section at the front so as to direct all the sound to the back and then around to the port. Take your prepared rear timber panel and gently lay it on the silicone bead. Once you are happy with its position, slowly press it down onto the brick. If any silicone squirts out the edges, quickly wipe it away with a damp cloth. Add weight on top (eg, a pile of books) to keep the panel in position and leave it to cure for at least 24 hours. Make sure its position is correct because once it cures, you will not be able to shift it! Repeat this procedure with all the other enclosures. Then, after 24 hours (or more, if you are in a cold climate), repeat PINE REAR PANEL CONCRETE C ONCRETE BLOCK B LO CK 34 DO NOT PUT SILICONE BEAD IN THIS AREA, TO LEAVE A SMALL GAP BETWEEN UPPER & LOWER CHAMBERS Reproduced by arrangement with SILICON CHIP magazine 2021. www.siliconchip.com.au Front view showing the baffle secured to the half block and the acoustic wadding inside. The four screwheads could be painted black so they don’t stand out as much. Practical Electronics | June | 2021 www.poscope.com/epe The finished midrange speaker, here shown from the under-side, with a 170 × 170mm piece of thin felt glued to the block to ensure it doesn’t scratch underneath surfaces. this procedure with the front baffles (see Fig.8). Just remember to add the silicone across the centre of the subwoofers this time. After another 24 hours, you are ready to mount the drivers. But first, cut 60-70cm lengths of speaker wire and solder them to each driver. When the silicone on the cabinets is completely cured, pack the subwoofers with acoustic wadding. We used Acousta-Stuf Polyfill, available from Jaycar. Pack this in loosely behind the drivers. In a pinch, you can also use small (dry) towels. Push the speaker wires through so that they are sticking out the hole in the back panel, then mount the drivers using wood screws. You’ll get the neatest result if you first mark and drill small pilot holes, using the driver surrounds as templates. Try to orient the drivers all the same way; it generally looks best to have the screws in the diagonal corners, as shown in our photos. Solder the wires sticking out the back of the enclosures to the inside of the speaker terminals, then mount those terminals on the rear panels in a similar manner. Your speakers are finished! Note that you can stack the smaller speakers on top of the subwoofers, or you can locate them separately. The placement of the Subwoofers is not critical. Depending on the surface your speakers are going to be placed on, you might like to glue a 190 x 190mm square of felt or similar protective material on the underside of each of the blocks. Concrete scratches most other surfaces quite nicely! Driving them The drivers in the smaller Bookshelf speakers are full-range units, and the Practical Electronics | June | 2021 Similarly, the completed subwoofer, here seen from the back to show the small (PCB) plate housing the terminals. subwoofers only respond to bass frequencies, so you can drive each pair from separate amplifiers. We suggest that you don’t wire them in parallel as the Subwoofers have lower sensitivity than the Bookshelf speakers, and therefore require a slightly higher signal level to get matching levels. Two stereo amplifiers, each capable of 25W into 8Ω or a bit more into 6Ω should do the job. Our Subwoofer drivers can handle up to 50W each, so if you like playing really bassy music, more powerful amps are the way to go. But you’re likely to get more power into the Subwoofers anyway, given their slightly lower impedance (6Ω vs 8Ω for the Bookshelf speakers). The Class-D modules we mentioned earlier are suitable, as long as you power the ones driving the Subwoofers from a sufficiently high supply voltage (eg, 20V+). Connect the amplifier outputs to the four sets of speaker terminals, then use RCA Y-cables to connect the outputs from your preamplifier to the left/left and right/right pairs of power amplifier inputs. You can then play some music and adjust the individual amplifier volume controls until the bass and treble levels sound well-matched. We allowed about two hours playing various types of music at reasonable volume to ‘run in’ the speaker drivers before we took measurements; you may find that your drivers are a little stiff straight out of the box. You should notice an improvement in the sound with time, as you use them, especially in the bass response. - USB - Ethernet - Web server - Modbus - CNC (Mach3/4) - IO - PWM - Encoders - LCD - Analog inputs - Compact PLC - up to 256 - up to 32 microsteps microsteps - 50 V / 6 A - 30 V / 2.5 A - USB configuration - Isolated PoScope Mega1+ PoScope Mega50 - up to 50MS/s - resolution up to 12bit - Lowest power consumption - Smallest and lightest - 7 in 1: Oscilloscope, FFT, X/Y, Recorder, Logic Analyzer, Protocol decoder, Signal generator 35