Silicon ChipThe Fox Report - May 2021 SILICON CHIP
  1. Outer Front Cover
  2. Contents
  3. Subscriptions: PE Subscription
  4. Subscriptions: PicoLog Cloud
  5. Back Issues: PICOLOG
  6. Publisher's Letter
  7. Feature: The Fox Report by Barry Fox
  8. Feature: Techno Talk by Mark Nelson
  9. Feature: Net Work by Alan Winstanley
  10. Project: 7-Band Mono or Stereo Equaliser by John Clarke
  11. Project: Touchscreen car altimeter by Peter Bennett
  12. Project: DIY Solder ReFLow Oven with PID Control by Phil Prosser
  13. Feature: Max’s Cool Beans by Max the Magnificent
  14. Feature: Make it with Micromite by Phil Boyce
  15. Feature: PICn’Mix by Mike Hibbett
  16. Feature: AUDIO OUT by Jake Rothman
  17. Feature: Circuit Surgery by Ian Bell
  18. Feature: Practically Speaking by Jake Rothman
  19. PCB Order Form
  20. Advertising Index: Max’s Cool Beans cunning coding tips and tricks

This is only a preview of the May 2021 issue of Practical Electronics.

You can view 0 of the 72 pages in the full issue.

Articles in this series:
  • (November 2020)
  • Techno Talk (December 2020)
  • Techno Talk (January 2021)
  • Techno Talk (February 2021)
  • Techno Talk (March 2021)
  • Techno Talk (April 2021)
  • Techno Talk (May 2021)
  • Techno Talk (June 2021)
  • Techno Talk (July 2021)
  • Techno Talk (August 2021)
  • Techno Talk (September 2021)
  • Techno Talk (October 2021)
  • Techno Talk (November 2021)
  • Techno Talk (December 2021)
  • Communing with nature (January 2022)
  • Should we be worried? (February 2022)
  • How resilient is your lifeline? (March 2022)
  • Go eco, get ethical! (April 2022)
  • From nano to bio (May 2022)
  • Positivity follows the gloom (June 2022)
  • Mixed menu (July 2022)
  • Time for a total rethink? (August 2022)
  • What’s in a name? (September 2022)
  • Forget leaves on the line! (October 2022)
  • Giant Boost for Batteries (December 2022)
  • Raudive Voices Revisited (January 2023)
  • A thousand words (February 2023)
  • It’s handover time (March 2023)
  • AI, Robots, Horticulture and Agriculture (April 2023)
  • Prophecy can be perplexing (May 2023)
  • Technology comes in different shapes and sizes (June 2023)
  • AI and robots – what could possibly go wrong? (July 2023)
  • How long until we’re all out of work? (August 2023)
  • We both have truths, are mine the same as yours? (September 2023)
  • Holy Spheres, Batman! (October 2023)
  • Where’s my pneumatic car? (November 2023)
  • Good grief! (December 2023)
  • Cheeky chiplets (January 2024)
  • Cheeky chiplets (February 2024)
  • The Wibbly-Wobbly World of Quantum (March 2024)
  • Techno Talk - Wait! What? Really? (April 2024)
  • Techno Talk - One step closer to a dystopian abyss? (May 2024)
  • Techno Talk - Program that! (June 2024)
  • Techno Talk (July 2024)
  • Techno Talk - That makes so much sense! (August 2024)
  • Techno Talk - I don’t want to be a Norbert... (September 2024)
  • Techno Talk - Sticking the landing (October 2024)
  • Techno Talk (November 2024)
  • Techno Talk (December 2024)
  • Techno Talk (January 2025)
  • Techno Talk (February 2025)
  • Techno Talk (March 2025)
  • Techno Talk (April 2025)
  • Techno Talk (May 2025)
  • Techno Talk (June 2025)
The Fox Report Barry Fox’s technology column tekkiepix.com images, taught myself to build an amateur website, bought the domain name www. tekkiepix.com, paid for hosting and posted some of the pictures for anyone to look at. The Royal Television Society gave me a small grant, so I concentrated on posting pictures of TV and video tech. It was all very amateurish and stayed that way until Covid lockdown. W hy – you may well ask – have I spent most of my lockdown year building a website (www.tekkiepix.com) that has no obvious way of recouping what I have spent on it in time and hard cash? Why has another tech journalist, Richard Dean, who edited video magazines I worked with 20 or more years ago, put in his time and money too? It’s simply because we want to prevent a slice of consumer electronics history from being lost for ever. We couldn’t go out from our bubbles, so we stayed in and worked on the website. Today, tech companies promote products with publicity shots that are digitally shot, and digitally sent to the press and websites. The pictures are digitally stored and digitally indexed. Therefore, they are easily searched out, accessed and copied. But up to around ten years ago, in the ‘Days Before Digital’, tech companies had to spend huge sums of money on using ‘wet file’ photography and sending out large quantities of professionally produced glossy paper prints and colour transparencies to the magazine and newspaper press, in the hope that a few might publish them. Most of those ‘physical’ photos quickly ended up in waste bins. Some were filed away by magazines for future use, but many of those publications have since Experimental VERA (Vision Electronic Recording Apparatus) linear VTR developed by the BBC in the 1950s. gone out of business, so their photo libraries have also ended up in waste bins. Many of the companies that sent out the photos have either disappeared or been taken over by venture capitalists. Their photo libraries were often junked or are gathering dust – but who knows where? Many years ago, I decided to keep, rather than throw away, the most interesting and significant photos that postmen and couriers were delivering to my office. I was sure they would one day come in useful to me or someone else. Being busy with earning a living I just put them in loosely sorted box files and stashed them in my attic and garage. A few years ago, I sorted through a few of the box files, laboriously scanned a few Iridium – a very expensive and not very successful satellite venture from Motorola to support analogue cell phones and pagers. Bob Tomalski, a technical editor for What Cell Phone? magazine, managed to borrow an Iridium cell phone to try in Europe. ‘Speech quality is appalling’, he reported. ‘It sounds like talking underwater through bubbles. At 2.4kilobits, it would take all day and cost a fortune to send a picture. It’s Stone Age technology trapped in Space.’ Plastic enclosures: standard and miniature Learn more: hammfg.com/small-case More than 5000 standard stocked enclosure designs uksales<at>hammfg.com • 01256 812812 8 Practical Electronics | May | 2021 In the early 1970s the market for blank cassette tapes was pretty cut-throat. US company Memorex was looking for a way to stand out, and hit on the idea of ‘shattering glass’. TV adverts showed singer Ella Fitzgerald breaking a wine glass, as Caruso had supposedly done as a party trick. The Memorex twist was that Ella recorded to a cassette that was then played back to shatter the glass – with the slogan ‘Is it live, or is it Memorex?’ Hi-Fi buffs were up in arms. They did not question the fact that Ella’s recorded voice could shatter a glass, if she hit a note that made the glass resonate, and playback was loud enough to make the resonance destructive. Memorex gave demonstrations to prove the trick worked, at public and trade exhibitions. Witnesses were given certificates to prove that they had seen a glass break. But they had to wear ear protectors. What Hi-Fi buffs did not like was any suggestion that it needed an especially good tape to do the job; it would have been hard to find a tape that did not fit the bill. A technical paper released by respected audio consultants Bolt, Beranek and Newman in 1973 revealed that the sound level used was well over 140 dB, which is way beyond the threshold of pain. After prolonged debate, the UK’s Advertising Standards Authority approved the adverts saying, ‘although it is most unlikely that this effect could be related to the domestic situation, the Authority took the view that the advertiser was entitled to emphasise the qualities of his product by describing how it might operate in exceptional circumstances.’ Memorex – and Ella – had the last laugh though. The slogan stuck until Memorex was sold off and run down in the 1980s. And it broadened Ella’s appeal at a time when rock music was ousting jazz. Practical Electronics | May | 2021 With time forced on my hands I sorted and scanned some more images. After a chance online re-connection with Richard Dean, the tekkiepix site has now been revamped and relaunched in a far more professional form. Have a look and see what you think. It costs nothing to access. There is a page for constructive comments; and a PayPal donation button for anyone who likes what they see and would also like it to continue and grow. Whether this happens, with more pictures and the stories behind them added, now depends entirely on what donations roll in and whether any tech company, trade body, historic society or benefactor thinks the site and work worth funding. There are still many thousands of photo prints, large format transparencies and 35mm negatives and slides that I shot in factories and at exhibitions round the world, left to be digitised, indexed and posted on the site. For example, somewhere among the negs there will be some shots I took of a UK factory where most of the staff were smoking while assembling electronic equipment! For the next year I’ll pay what it takes to keep tekkiepix up and running, and maybe add some more content. After that all bets are off, because without support the site could shut down and the un-scanned images end up in landfill. What reaction so far? Mainly positive and encouraging, albeit with one request from an ex-executive of failed satellite broadcaster BSB that I use what he reckons to be a more flattering mug shot of him. And no sign yet of any interest from any trade bodies or big companies. In the early 1980s Sinclair announced a £5m, four-year investment programme in a pocket FM radio/television receiver to be called Microvision. But the idea of a squashed tube was already doomed. At the Tokyo Electronics Show in 1980 Toshiba unveiled a pocket TV with a 2-inch monochrome LCD. The pictures were rotten, and smeared on motion, but it signposted the future. Urban myth or scam? Repeating web hearsay in capital letters, even underlining it in green ink, does not make it true, or alter technical basics. As reported, it’s become a factoid of the Internet that if we answer an incoming phone call from an IVR (Interactive Voice Response) call centre and do as the recorded voice says and ‘Press 1 to speak to an adviser’, a scammer can somehow, magically, connect us to a premium line costing several pounds per minute. When I asked purveyors of this unsubstantiated scare story for hard evidence of how even the cleverest scammer can play the technically impossible trick of converting an incoming call into an outgoing call at the press of a single button, I was pointed to other Internet postings, such as an article in a Northern newspaper that quotes an anonymous policeman who apparently knows zilch about telecoms technology: http://bit.ly/pe-may21-myth So, for the benefit of anyone who is interested in hard facts rather than cyber pub gossip, I spoke to Ofcom, the body which controls all telecoms in the UK. If such misuse of our phone system were possible, Ofcom’s duty would be to stop it. And Ofcom confirms: ‘We have not seen any evidence to suggest that pressing 1 or any other digit can turn these kinds of calls into premium rate calls… pressing a digit is part of an IVR and the call is transferred to an actual person. It could be that in the script the consumer is being told to call back to a premium rate number – which could be where the call charges then happen.’ Of course, for most people it will be simplest just to hang up when a scam call centre says, ‘Press 1’. And always remember the golden rule – never, ever give out genuine personal details to any cold caller, or phone any number the cold caller volunteers. But for those who feel confident in having some fun by wasting scammers’ time and so eating into their opportunity to scam others more vulnerable, we now have it confirmed by Ofcom: simply pressing 1 during an incoming call cannot initiate an outgoing call to a premium line. 9