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AUDIO
OUT
AUDIO OUT
L
R
By Jake Rothman
Demolition Derby
Fig.1. Every workshop needs a storeroom, but this is out of control. (Photo: Harvey Rothman)
E
very so often my workshop
storeroom, shown in Fig.1, has to
be cleared. This is true now, more
than ever, since the time for ‘downsizing’
has finally arrived – the kids have left
home, the price of gas is insane and I’m
moving from a huge Victorian money
pit (mansion) to something much more
sensible (and affordable). In the new
place, large pieces of equipment will
have to justify their retention, rather than
just being a project I might get around
to one day. This meant I had to have an
unsentimental look at several decades’
worth of collecting/hoarding/scavenging
and get rid of a lot of equipment – the
question was, how? The following,
slightly unusual article describes several
approaches, which many readers may
find useful when they realise their own
collection of electronic ephemera and
white elephants has got out of hand
and some/all of it needs to go. I used a
combination of selling, cannibalising
parts, demolition and recycling.
Surveying the storeroom, it was clear
that the main space hogs were four
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Fig.2. The huge TAC Scorpion mixing desk – does it deserve to live on?
mixing desks, including a couple of
TAC Scorpions. These had recently
been donated by the local music festival
company, which had carelessly stored
them in a leaking barn. The 60+kg,
two-metre wide behemoths, shown in
Fig.2 cost over £5000 in 1989, but are
now worthless. I noticed one sold on
eBay for £183 – but it was made clear
that it was collection only (no surprise!).
Practical Electronics | August | 2023
Fig.4. This organ is too big, but on the plus side the illuminated
latching push buttons feel like I’m using a 1960s Star Trek console.
£40 intact, but it generated £150 from easily
postable drive units.
A huge flagship Technics SX-U90 electronic
Fig.3. Sadly, these old KEF speakers were broken up and I
organ (see Fig.4) also resold the driver units and crossovers as spare parts.
sides in the workshop.
Despite almost working and having a
Loudspeakers
beautiful control surface lit with soft
Speakers were another major space sucker.
filament lamps, it has negative value.
I had a graveyard of 40 pairs of assorted
I’m offering it free to a collector, bemodels – what a waste of a Victorian
cause it’s eating up valuable real estate.
drawing room! The collection dated back
What’s the solution if nobody turns
to the early 1990s when I was designing
up? Strip out the spring-line reverb,
crossover networks for Mordaunt-Short.
bucket brigade chorus delay chips and
A strange thing about speakers is that the
speaker drivers and dump the rest. It’s
sum of their parts is often valueless, but
a shame, since there is probably an
the bare drivers sell for reasonably high
enthusiast who’s missing a few of its
prices. This is especially true for KEF
unique push buttons.
speakers. Their chipboard flat cabinets
are considered ugly, while their Bextrene
bass units and T27 tweeters are highly
Recycling
valued. This kind of cannibalisation had
Recycling can be effective, but it only
to be done to the KEF 104aB speakers
works if materials are strictly separated.
shown in Fig.3. It was worth (possibly)
Another big problem with recycling
Fig.5. Demolition can reveal useful construction techniques. Notice the thick conductor
soldered on the earth pins of the mixer’s bus board.
Practical Electronics | August | 2023
electronics is that the only items that can
be profitably recycled are the metals. I
collected all the steel and copper cabling
separately and sold what I could. Old
PCBs and connectors have to be removed
because leaded solder can cause contamination when incinerated. (Reselling
working components, however, can be
more lucrative.)
Unfortunately, the downside of recycling is that it encourages rampant
consumerism – it really is much better
to reuse or repair whenever possible.
What to do?
Having found solutions for the organ and
speakers, it was now the turn of the Scorpion mixers. I had two similar units – but
one had to be scrapped (thanks to my local
Welsh damp weather). These desks were
designed to be easily maintained – fully
modular with solid metalwork. I naively
thought one could be repaired, played
with, and then sold on, but it didn’t work.
Fig.6. This old DDA mixer has the elusive
2SB737 input transistors. Vinyl aficionados
pay big money for these. Nothing works
better with moving-coil cartridges.
57
Fig.7. The hidden cause of all the trouble that resulted in the
desk being discarded: the main earthing post on the chassis
was oxidised and not tightened up properly.
Fig.8. Another earthing disaster – this chunky copper earth bus on
an Allen and Heath mixer was effectively disconnected due to rusty
screws. I upgraded to stainless steel screws / shake-proof washers.
Hidden gems
noise transistors are unique and no longer made. They are the
best device for low source impedance applications, such as
moving-coil pickup and ribbon microphone pre-amps thanks
to their base spreading resistance of less than 2Ω. They were
wasted in these mixers, so I took them out. A good ‘swap’ is
the 2SA970, which matches well with standard microphones.
Careful disassembly during scrapping can reveal useful inhouse manufacturing techniques, such as the earthing in Fig.5.
There can also be ‘hidden gems’ like the 2SB737 transistors
(Fig.6) used in the input stages of the DDA (Dave Dearden
Associates) and Allen and Heath mixing desks. These low-
Faults revealed
Fig.9. Oxidised ribbon IDC connector. Most mixers are full of
these. They connect all the modules to the sockets on the back
and are the most unreliable component in the system.
Fig.10. IDC ribbon connectors cannot withstand any force. The
cable is often ripped off during servicing.
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Finding the fault that killed a piece of equipment after you’ve
demolished it is more common than is admitted. The scrapped
Scorpion mixer had terrible random bangs/hums. It turned out
the well-hidden main ground stud (Fig.7) was loose and corroded.
The Allen and Heath mixer had corroded mild steel screws
on its copper main earthing busbar. Replacing these screws
with new ones made it work perfectly, as shown in Fig.8.
It’s smaller, so more saleable, and it’s no use to me because
I can’t get my fat fingers between the knobs.
IDCs, or ‘insidious death connectors’ (more correctly known
as insulation displacement connectors) work by pressing a
spike into a ribbon cable, as shown in Fig.9. They are a great
idea in sunny California, but a disaster in damp climates
unless you use the sealing jelly that phone companies use.
Sometimes the ribbons even just get torn off, as shown in
Fig.10. These, along with corroded jack socket switch contacts
on the insert points (Fig.11) cause the most common signal
loss faults on analogue mixers.
Fig.11. Jack sockets frequently oxidise. If the switch contacts
are employed for passing the signal through, as in insert points,
it causes loss of a channel.
Practical Electronics | August | 2023
Fig.12. If you’ve chewed the screw head and can’t undo it,
then pliers can help, but only if you’ve got enough access
room to wiggle them about.
Fig.13.(left) If all else fails, drill out the screw head. Fig.14. (right)
Iron filings cause havoc with crosshead screws. Keep your
screwdriver clean and it’s less likely to slip and ruin the head’s slots.
Tool tricks
problem with socketed chips is that they tend to work loose
and corrode over time, which reveals an important failure/
repair mode. I’ve often found that just wiggling chips in their
sockets is good way to get failed mixer channels working again.
Old TL072 op amps have proved to be very reliable and
have become expensive. All the mixing desk BiFET audio op
amps were pulled and sold to a guitar pedal maker.
I also found Solid State Music SSM-2015 chips (see Fig.17),
which were the first decent integrated microphone pre-amp. Their
designers pioneered techniques used in modern devices, such
as the THAT 1570. Since the performance of the SSM-2015 is
almost as good, they still demand excellent (for the seller!) prices.
Most electronic physical work is concerned with construction.
When dismantling something, different techniques are needed.
Corrosion can make it impossible to undo crosshead screws
with standard hand-held screwdrivers. Impact drivers that
bang the screw round can sometimes work, but the downwards
pressure and noise can be injurious to hands and ears. And the
screw head often ends up being chewed and mangled. When
this happens, pliers can be used to grab the screw head, as
shown in Fig.12. Often the result of all the bashing about is the
head shears off. If decapitation is a risk then it’s best to drill
out the screw head before this happens, as shown in Fig.13.
Another thing to watch out for is the iron filings that build
up when dealing with old screws. When these stick to the
screwdriver tip (Fig.14) the bit can jump out, further mangling
the screw head. Keep pulling the filings off as you go.
A good tip if you want to unsolder large items, such as the
gold plated connectors in Fig.15, is to use a paint stripper
gun. Remember, with demolition it doesn’t matter if you
burn the PCB!
No wall-warts here
In the early days of electronics, many chips were put in
sockets, as shown in Fig.16. So the first thing to do with old
equipment is to remove these ICs since there’s a profitable
market in ‘pulled chips’. It’s worth remembering that a common
While the Scorpion mixers have to go, their power supplies
(Fig.18) were very well made, with dual 18V rails, 10A positive and 5A negative, so I decided these were worth keeping.
They also provided an output giving +48V at 1.5A for phantom power. These were solid PSUs that fitted 2U racks with
massive toroidal transformers, big heatsinks and no fans.
The only thing wrong was a blown 48V voltage regulator, a
LM317K HV, the unobtainable high voltage TO3 version. This
was replaced with a standard LM317K with added protection Zener diodes (Fig.19). Modern electronics have plastic
switch-mode power supplies which only last a few years.
These old linear rack-mount PSUs can be repaired forever.
Fig.15. Unsoldering large multi-pinned components, such as
this DIN connector, can be accomplished using a hot air gun. It
wrecks the board though.
Fig.16. Like most old professional audio gear, the Scorpions
chips were in sockets. It was later found the sockets were less
reliable than analogue small-signal chips. However, it does make
for easy removal and there’s little market for unsoldered devices.
Pulled chips
Practical Electronics | August | 2023
59
Fig.17. The SSM2015 mic pre-amp chip. This was better than
the discrete circuits at the time. It is sought after since it is used
in top mic pre-amps such as the Symetrics SX202.
Back to the potting shed
At first sight I was dismayed to see the desks used Omeg pots
(Fig.20), possibly the old version, which I don’t like. However,
I was lucky; most were the current long-lasting polymer track
types, which are useful. Only the gain and the sweep frequency
controls were the older Radiohm versions which go scratchy.
Cleaning up
The mixing desks were truly disgusting with years of sticky
‘matter’ coating the front panels and knobs. The only way to
clean a front panel is to pull the plastic knobs and buttons
off first, undo the pot nuts, take the PCB out and wash it in
the sink (Fig.21). The plastic bits can then be washed in the
Fig.18. Scorpion power supplies – a solid, long-lasting, linear design.
dishwasher in a stainless steel mesh tray, as shown in Fig.22.
Experience has taught me that you have to use expensive
Fairy Platinum dishwasher tablets, cheap cleaners won’t do
the job. The difference the cleaning makes is shown in Fig.23.
Repurposing
A popular use of old mixer channels is to make stand-alone
channel strips to be used as mic pre-amps for digital audio
workstations. Many are sold mounted in a 1U rack case incorporating a power supply. I’m not very keen on this since the
panel sliding pots are then sideways and the equaliser (EQ)
controls go down in frequency from left to right. However,
it can be profitable, with single channel strips fetching £50.
Unfortunately, my Scorpion mixer channels were too long to
fit in a 19 inch rack, so I had to give them a haircut and snip
off the output routing end of the boards – rather brutally – as
shown in Fig.24. Still, as I say above, better to be brutal and
recycle rather than send to landfill.
Going to the tip
Once all the goodies had been removed from the failed mixer I
broke up the frame in the garden (Fig.25) for scrapyard steel – it
Fig.19. Using a standard LM317K regulator IC to replace the
obsoleted high-voltage version. Note the extra protection
components added.
Fig.20. Omeg pots – a potpourri of old scratchy devices and new
polymer ones. The scratchy ones were the frequency sweep controls
(470kΩ anti-log). I may replace these someday, but because they are
not moved much in a performance, it’s not too critical.
60
Fig.21. Washing a channel strip front panel with a lot of elbow grease!
Practical Electronics | August | 2023
Fig.22. Plastic parts like knobs ‘scrub up
lovely’ in the dishwasher.
Fig.24. If it doesn’t fit, chop it with tin
snips. I now have a stock of mic-pre EQ
boards for all sorts of jobs that fit into the
standard 19 inch rack case.
Fig.25. Wanton destruction – if you have
to use a hammer, you’ve lost the plot. Use
the right sized spanner. I found the right
one in my socket set… after demolition.
was quite a struggle! When I mentioned
this to Adam Fuest, our local music producer engineer, he said the best thing
about Scorpion mixing desks was the
Amek frame, which I had just destroyed.
Apparently, they are so strong, people
put upgraded modules in them. Oh dear!
all the way back to November 1964 is to
be entrusted to our editor’s archive. That’s
seven cubic feet of Brighton real estate.
Magazines
Fig.23. Comparison of clean vs. dirty.
Audio gear does not sell if it’s dirty – I
learnt that from second-hand car dealers.
For an old analogue person like me, most
of my information is paper based. Sadly,
some of this has to go as well. Luckily my
collection of Practical Electronics, dating
Back to mouse clicking
I’ve enjoyed using the remaining big
mixer with it’s padded arm rest and ease
of adjustment. It’s a superior tool for composition and live group playing compared
to using a laptop. It’s also fantastic for
teaching mixing techniques. But, it has
to go. Anyone want to make me an offer
I can’t refuse? jrothman1962<at>gmail.com
STEWART OF READING
17A King Street, Mortimer, near Reading, RG7 3RS
Telephone: 0118 933 1111 Fax: 0118 933 2375
USED ELECTRONIC TEST EQUIPMENT
Check website www.stewart-of-reading.co.uk
Fluke/Philips PM3092 Oscilloscope
2+2 Channel 200MHz Delay TB,
Autoset etc – £250
LAMBDA GENESYS
LAMBDA GENESYS
IFR 2025
IFR 2948B
IFR 6843
R&S APN62
Agilent 8712ET
HP8903A/B
HP8757D
HP3325A
HP3561A
HP6032A
HP6622A
HP6624A
HP6632B
HP6644A
HP6654A
HP8341A
HP83630A
HP83624A
HP8484A
HP8560E
HP8563A
HP8566B
HP8662A
Marconi 2022E
Marconi 2024
Marconi 2030
Marconi 2023A
PSU GEN100-15 100V 15A Boxed As New
£400
PSU GEN50-30 50V 30A
£400
Signal Generator 9kHz – 2.51GHz Opt 04/11
£900
Communication Service Monitor Opts 03/25 Avionics
POA
Microwave Systems Analyser 10MHz – 20GHz
POA
Syn Function Generator 1Hz – 260kHz
£295
RF Network Analyser 300kHz – 1300MHz
POA
Audio Analyser
£750 – £950
Scaler Network Analyser
POA
Synthesised Function Generator
£195
Dynamic Signal Analyser
£650
PSU 0-60V 0-50A 1000W
£750
PSU 0-20V 4A Twice or 0-50V 2A Twice
£350
PSU 4 Outputs
£400
PSU 0-20V 0-5A
£195
PSU 0-60V 3.5A
£400
PSU 0-60V 0-9A
£500
Synthesised Sweep Generator 10MHz – 20GHz
£2,000
Synthesised Sweeper 10MHz – 26.5 GHz
POA
Synthesised Sweeper 2 – 20GHz
POA
Power Sensor 0.01-18GHz 3nW-10µW
£75
Spectrum Analyser Synthesised 30Hz – 2.9GHz
£1,750
Spectrum Analyser Synthesised 9kHz – 22GHz
£2,250
Spectrum Analsyer 100Hz – 22GHz
£1,200
RF Generator 10kHz – 1280MHz
£750
Synthesised AM/FM Signal Generator 10kHz – 1.01GHz
£325
Synthesised Signal Generator 9kHz – 2.4GHz
£800
Synthesised Signal Generator 10kHz – 1.35GHz
£750
Signal Generator 9kHz – 1.2GHz
£700
HP/Agilent HP 34401A Digital
Multimeter 6½ Digit £325 – £375
HP 54600B Oscilloscope
Analogue/Digital Dual Trace 100MHz
Only £75, with accessories £125
(ALL PRICES PLUS CARRIAGE & VAT)
Please check availability before ordering or calling in
HP33120A
HP53131A
HP53131A
Audio Precision
Datron 4708
Druck DPI 515
Datron 1081
ENI 325LA
Keithley 228
Time 9818
Practical Electronics | August | 2023
Marconi 2305
Marconi 2440
Marconi 2945/A/B
Marconi 2955
Marconi 2955A
Marconi 2955B
Marconi 6200
Marconi 6200A
Marconi 6200B
Marconi 6960B
Tektronix TDS3052B
Tektronix TDS3032
Tektronix TDS3012
Tektronix 2430A
Tektronix 2465B
Farnell AP60/50
Farnell XA35/2T
Farnell AP100-90
Farnell LF1
Racal 1991
Racal 2101
Racal 9300
Racal 9300B
Solartron 7150/PLUS
Solatron 1253
Solartron SI 1255
Tasakago TM035-2
Thurlby PL320QMD
Thurlby TG210
Modulation Meter
£250
Counter 20GHz
£295
Communications Test Set Various Options
POA
Radio Communications Test Set
£595
Radio Communications Test Set
£725
Radio Communications Test Set
£800
Microwave Test Set
£1,500
Microwave Test Set 10MHz – 20GHz
£1,950
Microwave Test Set
£2,300
Power Meter with 6910 sensor
£295
Oscilloscope 500MHz 2.5GS/s
£1,250
Oscilloscope 300MHz 2.5GS/s
£995
Oscilloscope 2 Channel 100MHz 1.25GS/s
£450
Oscilloscope Dual Trace 150MHz 100MS/s
£350
Oscilloscope 4 Channel 400MHz
£600
PSU 0-60V 0-50A 1kW Switch Mode
£300
PSU 0-35V 0-2A Twice Digital
£75
Power Supply 100V 90A
£900
Sine/Sq Oscillator 10Hz – 1MHz
£45
Counter/Timer 160MHz 9 Digit
£150
Counter 20GHz LED
£295
True RMS Millivoltmeter 5Hz – 20MHz etc
£45
As 9300
£75
6½ Digit DMM True RMS IEEE
£65/£75
Gain Phase Analyser 1mHz – 20kHz
£600
HF Frequency Response Analyser
POA
PSU 0-35V 0-2A 2 Meters
£30
PSU 0-30V 0-2A Twice
£160 – £200
Function Generator 0.002-2MHz TTL etc Kenwood Badged
£65
Function Generator 100 microHz – 15MHz
Universal Counter 3GHz Boxed unused
Universal Counter 225MHz
SYS2712 Audio Analyser – in original box
Autocal Multifunction Standard
Pressure Calibrator/Controller
Autocal Standards Multimeter
RF Power Amplifier 250kHz – 150MHz 25W 50dB
Voltage/Current Source
DC Current & Voltage Calibrator
£350
£600
£350
POA
POA
£400
POA
POA
POA
POA
Marconi 2955B Radio
Communications Test Set – £800
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